That is why last night’s I Heart Art Mixer Match was so incredibly cool.  Think speed dating for artists, except instead of trying to get a date the artists were attempting to woo wholesale accounts with local store owners.

Artist (left) receiving feedback from local business owner Nicole Prevost, owner of Union Rose (right).

The event was put on by I Heart Art, which is a group devoted to advocacy, education and support for Portland’s vibrant community of makers.  This is a collaborative group between Etsy, Pacific Northwest College of Art, Museum of Contemporary Craft, and the Portland Etsy Team.

Store owner (left) meeting with Lea of LeaK Arts (right)

One thing that I thought was really interesting about this event was that there was a wide assortment of artists all looking to pitch their products to stores.  There were many new faces and many people who have been making and selling their product in stores for years.

New faces that are unknown to me.

Ordinarily pitching your work to anyone, especially a stranger, is a nerve-wracking experience.  As you can see this was practically a party.  I’m sure there were butterflies in the stomachs of some of the artists and yet this was an incredible opportunity for artists to connect with store owners, practice their pitch and grow their businesses.  This is one of the things I LOVE about Portland’s Crafty/DIY community – unique ideas and collaborations turning potentially painful situations into a good time.

More new faces.  I liked this shot because you can see the frenzy of store owners digging through this artist’s product.

In a perfect world artist walked away from this event with new stores to sell their wares, but in many cases it was just an initial contact.  A great way for stores to see what new locally handmade products are out there and for artist to have the opportunity to receive feedback about their work, their pitch and their overall presentation.

Left to right, Torie and Cathy owners of Crafty Wonderland meeting with the owners of Burdy Fly Away.

Not every artist had product that was a fit for every store owner.  In some cases when the store owner wasn’t interested in the product offered by the artist, so store owners gave constructive criticism with the goal of helping artists land that next wholesale account.  You could think of this as an opportunity for artists to have many informational interviews and brush up on their pitching skills.

Devi (standing) makes necklaces with bread tabs for charms, which are made of gold and silver.

In case you are wondering why the atmosphere is so unbelievably cool at this event, it was held at the Design Within Reach, which has some incredibly cool furniture.

Owner of  Moxie , (left) a local boutique in Portland, meeting with an artist looking to find some wholesale account love.

If you want to read more about this event check out  The Etsy Storque, Handmade in Portland, or The Garden of Leah.

by: Jen

Creativity isn’t tidy.  I am constantly surprised at the amount of mess that I can produce while crafting.  When I’m not working on the DIY Lounge TV show or on the DIY Lounge video tutorials, I’m making crocheted and reconstructed apparel and accessories under the name Knot Ugly Designs.   Right now I just have hats in my Etsy shop, but I make many other items, such as reconstructed sweaters, reconstructed shirts and I am working on a dress prototype right now.

I recently cleaned up my studio, which is a combination sewing studio and the DIY Lounge TV studio.  Something like a good old fashioned cleaning must be photographed because it might not happen again for a long time.  When you are creative you MUST live with a certain amount of mess, but here are some pictures of the momentary clean that is my studio.

The DIY Lounge sign is where the DIY Lounge TV studio is.  At the left is where my sweater collection lives.  I will cut the crap out of these sweaters in the very near future.

Here’s another perspective.  You can see the bathroom off to the right.

Here’s more sweaters that have been cut up, but still have a lot to offer, so I keep them for the next project.  I have them hung on a rolling rack with a lower rack set up so I can see all of my sweaters at a glance.  Off to the right you can see my sewing studio.  I’m not totally done decorating in there so I will leave that to photograph for another day.  Trust me, I don’t judge anyone else’s creative mess, but remember a little cleaning every once in awhile can really help keep you on task and can allow for more creativity.  Not to mention finding those items that you put in a that safe-place-so-you-would-remember-where-it-is-later and then promptly lost, or maybe that’s just me.

by: Jen

Supplies:
Long sleeved fleece sweater  (you can use a wool sweater – cotton sweaters will lose their shape and won’t work)*
T-shirt *
Sewing machine or serger
Fabric scissors
Straight Pins
Measuring tape
Buttons (I used 7 buttons, you pick how many you want)
Fray check

* You must use stretch fabric for this project.

1. Remove sleeves of fleece shirt where the sleeves and the body connect.

2. Cut sleeves up the side along the seam, where the side seam that makes the sleeve a tube and lay it out flat.  Remove all of the seams so only fabric is left, no stitching.

3. Hold the wider end of the sleeve at the base of your breast and wrap it around your neck.   This is half of your halter top’s top.   Cut away extra fabric at the small end of the sleeve that goes past the middle part of you neck.  It’s easiest to do this while looking in a mirror.  Add a 2 inch  seam allowance at the top or the bottom of the sleeve, you can adjust this as you work on the piece and shorten it if you want to.  Hint: if the halter top’s fit is  a little tighter then it will be a perfect fit with better support.  Now cut the other sleeve the same as the first one you just cut.

4. Next we want to decrease the size of the narrow end of the sleeves.   This is the part of the halter that fits behind your neck.  It depends what you like, but a halter that is wider at the back of the neck provides more coverage and looks very elegant.  Don’t go wider than 7 inches at the smallest part of the sleeve, if you do go wider it may be too bulky around the neck.

5. Set aside the sleeves and get ready to work with the body part of the sweater.  Cut away any extra parts of the body of the shirt, removing the neck, sleeve holes and cut off the bottom seam, so what you are left with is a tube.  Hold the body part of sweater up to your torso in front of a mirror.  You want the tube to be long enough to go down to where you want it to hit, for me that was the middle of my hips and to extend to the underside of your breasts.  Cut away extra fabric and use straight pins when needed.

6. Now hold the tube A.K.A. the cut up body of sweater up to your torso again.  Use pins to mark and cut away extra material from the sides of the shirt so that the lines of the top match your curves of your torso below the breasts.  No need to add a seam allowance.

7. Put away the tube and get ready to work with the t-shirt.  Hold the t-shirt up to your chest just below your breast.  Place a pin at each side of the shirt where the sides of your body are.  You want to cut a band as wide as your body is under your breasts cut this piece 6 inches long. Cut 2 of these at the same time then cut 2 more.  Now that you have 4 pieces that is as wide as your chest and 6 inches long, fold 2 of the pieces in half, so the piece is as wide as your chest and 3 inches long and do the same thing with the other side.  The reason we are using t-shirts that are 4 layers thick is that we want the piece under the breast to be strong enough to help support your chest.  Now pin these pieces together, cut off 1 inch from one side of the folded in half pieces.  Then sew each of the pieces that are folded in half to each other creating a smaller tube.  This will be the band that goes under your breast.  It needs to be the tightest part of the top because it will help support your chest.  Because we are working with stretch fabrics this won’t feel tight.

8. Pick up all your cut pieces and move to the sewing machine or serger.   I used a serger for mine.   If you use a sewing machine use the overlock stitch.  If you don’t have a modern sewing machine you can use a zigzag stitch set on it’s longest stitch length, but this will have a rougher look.  Stitch the sides of the tube.  Then pin together the small band to the tube and stitch these two pieces together.

9. Pin the narrow end of the sleeves together and then sew.  Wrap around your neck and position over chest, wrong side facing up.  Decide how much cleavage you want to show and pin the wide end of the sleeves.  Add an extra inch in length because once this top is on your chest will pull the cleavage line down.  Now stitch where you have pinned.

10. Pin the wide part of sleeves to the top of the band.  Decide where the middle of the band is and line that up with the part you stitched on the wide part of the sleeves then once you’ve pinned the sleeves to the band, stitch.  This is the time to adjust the neck of the shirt if needed.  A snug fit in the chest will provide better support.

11. Stitch the bottom of your top.  If you are using a shorter sweater or top you may not need to remove the seam at the bottom from the original top.  You can also leave the original seam on if you want a longer shirt or possibly a mini dress that is super short.

12. Sew on your buttons where you put in that cleavage seam.  Now test out your top.  It should be a snug fitting, supportive hott halter top!

Next week I’ll show you that chair that I’ve been working on . . .

by: jen

I have this old chair that was made over by someone (not sure who.  It was a hand-me-down) with fabric and staples.  This is an option if you don’t have sewing skills, but if you have some very basic sewing skills you can easily do the tutorial that I will be posting next week.  It is a chair make-over with a cool embellishment detail.  Here is the chair before the makeover.

While I plan and scheme on how to make this chair into a utilitarian piece of art, let’s make some cocktails! Not everyone loves tequila so here is an alternative to the tequila sunrise.

Vodka Sunrise

2 oz Vodka
4 oz Orange juice
1/2 oz Grenadine
Maraschino cherry

Mix vodka and orange juice in a glass with crushed ice.  Pour grenadine over the ice for the sunrise effect.  Add a maraschino cherry for garnish.  Enjoy!

Look for my chair upholstery make over on the blog next week and don’t deny your DIY!

by jen

I had a few ideas in mind when I began this project:

1. I wanted to do it on the cheap.
2. I didn’t want to reupholster the entire love seat because most of it was in decent shape.
3. I wanted to use very easy to work with materials.
4. I wanted to create a piece with high style, but using very simple processes.

I found this loveseat on the side of the road one day with a free sign on it and quickly discovered that it was hide-a-bed too.  This was perfect because I had been looking for the right kind of extra bed for my son’s room for when he has friends sleep over.  The only issue was that both of the arms of the piece were really torn up.  I decided what this loveseat needed was a mini upholstery make over so I set to the task of reinventing this piece.

This project requires time more than anything else. It’s not hard to do and the costs are minimal.

Here is a picture of the finished piece so that you can get an idea of what we are doing here.  I decided for symmetry’s sake that I needed to alter 3 parts of this loveseat.  It didn’t feel balanced to just redo the arms so I decided to carry the effect through by detailing the back of the loveseat too.

Materials + Costs + Time = Loveseat Reinvention!

• 2.5 yards of 30% wool 70% rayon felt in olive green $19.98
• 1 yard of 30% wool 70% rayon felt in dark grey $9.99
• 2 packages of dark brown embroidery floss $1.18
• a curved upholstery needle and one straight upholstery needle $3.99
• straight pins
• large fabric cutting scissors
• small fabric cutting scissors
• paper cutting scissors
• pattern paper $10.00. Newspaper can work in a pinch
• marker
• tape measure
• sewing machine (optional)

Total cost for this project is $45. 14.  Please note that I only costed out the items that I had to buy for this project and you will have many of these items, such as the pattern paper for your next project.

The first thing I did was to wrap the pattern paper around the areas that I wanted to cover and pinned all those areas to the best of my ability.  Then I began to trace the lines of the piece so that I could have something to follow as I developed my pattern.  My strategy was to turn this piece into a pattern and a map of sorts so I would know exactly where to place each piece.

Next began cutting into the paper and removing the parts that I didn’t need for my pattern.  You can see that I began cutting where the arm and the back of the lovseat come together.  Once I did this I realized that I had made a mistake when cutting my line and needed to add 1/4 of an inch to one little section.  I used scotch tape to do this.  Tape is magical when drafting patterns because it can fix any mistake and it reinforces the pattern to keep it from ripping. 

At the right we are seeing the  pattern from the inside of the arm of the loveseat.  I finished tracing my lines and then cut out the rest of the pattern.  Below you can see my tape in the background of the picture.  I used it any where that I didn’t have a clean line or any where that I felt that the pattern needed to be a little bit larger.

* I didn’t add any extra material to this pattern for a salvage edge.  The reason for this was that felt won’t fray so you don’t need to worry about this.  The only exception to this was the front parts of the arm.  I think it’s easier to show you than to tell you so keep reading and I think you will see what I mean.

** I also didn’t sew any of this pattern on a sewing machine except for the part where I used the salvage edge, but  you could do this entire project without machine sewing if you choose too!

OK, this is what I was talking about.  If you look at the picture to the right you can see that first I traced the lines of the loveseat and then I added 1/4 inch to the piece for a salvage edge.  This is the only place where I added extra fabric to the pattern.  For the rest of the piece I used the raw edge of the felt.

*** The only problem with using the raw edge of any fabric is that you MUST cut very straight lines, so I spent some extra time on that.  Small, sharp scissors are really great for this because you can do more precise. detailed cutting.

Once I laid out the front piece I realized that I should leave the skirt of the original fabric, because I felt that if I covered the front part with felt to the floor it would look strange.  So what I decided to do was remove the part of the pattern.  You can see that I created a line where the original skirt had been and cut away that part of the pattern so that the entire loveseat would still have the plaid skirt wrapping around the entire piece.  When you are reinventing something these are the details you must think of.  How do I show what is already fantastic about this piece, but hide or fix what doesn’t work?  How do I marry these two components together?

Next I cut out the back of the loveseat.  This piece provides no other purpose than creating balance, style.  I could have left it out, but the arms would have looked sorta lonely and I couldn’t have that.  I just cut this out free-hand.  Then I cut out a grey piece that was slightly smaller than the green piece.

One of the many benefits to working with felt is that you can see how something will work just by laying it on top of the piece of furniture and it will mostly stay in place.

Next I removed the pattern pieces that I cut for the arm of the loveseat.  I laid my arm pattern piece out on the green felt and pinned it down. I cut felt around the pattern pieces.

Whenever I cut out a pattern I always spend a minute or two placing the pieces on the fabric and seeing how I can cut out the pattern without wasting extra fabric.  You can see here that I found that the front arm pattern piece fit nicely where the side arm was.

I am not sure if you can see this clearly or not, but what I have done here is once I finished cutting one of the arms I flipped the pieces over (to create a mirror image) and placed them down on the remaining green felt.  I pinned and then cut out these pieces.

Another thing that is nice about working with this better quality felt is that one side of the felt has these natural fiber bits in it and the other side is just plain, which makes it easier to tell which side is which.

Now you can see in the picture at your right that I matched the pieces up with the wrong sides facing out and pinned them to get ready to sew them together.  This is the front part of the arm we are looking at, at the right.  I chose to use my sewing machine for this part of the project, but you could very easily hand stitch this part too.

Once I finished sewing this part I cut little slits all around the curved areas so that when I flipped the piece right side out it laid flat and the curves look really clean.

Please note – my sewing here is not perfect.  Creativity wins over perfection every time.  Don’t let anyone tell you differently   Those slight imperfections won’t show once we are done.

I also cut out some grey pieces to frame the front of the arms.  See picture below.  I just cut these pieces out free-hand.  As long as they are symmetrical and fit on the arm they will look great!

Now the piece is really beginning to come together!  I have the piece pinned in place so that you can see what it will look like.

I decided next that I wanted to do the blanket stitch on all of the grey pieces that needed to be attached to the green, which are the back piece and the front of the arms.  I used a straight upholstery needle that was large enough to fit all of the embroidery thread on.  I didn’t have to remove any threads for this project.   Sewing this took a while, but was worth the time because it will add extra reinforcement to the piece and make it stronger than a simple running stitch would.   I put on a radio show and got to stitching.

Here is a close up shot of the arm.  I decided there was too much slack on the front of the arms so I pinned and then re-sewed the arms.  You can always make items you sew smaller.  Making them bigger is much harder.  This is why I usually have to take things in once or sometimes even twice to assure a really great fit.

At the right is a great shot of the curved upholstery needle in the green felt and the blanket stitched edge that I did earlier.

When working with a curved upholstery needle it is important to find the rhythm of needle.  I would suggest doing a few stitches on a practice piece before you get going because working with a curved needle is different if you never have before.  The eye of the needle was large enough that I could fit the entire embroidery thread on the needle at one time.  Again, I didn’t have to remove any threads for this part of the project.  I wanted a chunkier thread look.

When attaching the felt to the actual loveseat I used the back stitch. This also took some time.  Finding the spacing for the stitches takes a few minutes, but after awhile you naturally find your groove.

At the left is a great close up shot of back of the loveseat or maybe I should say the front.  Here you can see me getting started with the back stitch and you can see the blanket stitch that I did all around the grey pieces.  I also chose the blanket stitch for the grey pieces because I wanted the pieces to lay really flat and I felt that if I used another stitch the two pieces wouldn’t seem as seamless.

I stitched the back stitch to the front piece and the arm pieces on the outside of the loveseat and on the inside.  Why the inside too?  Because this is a hide-a-bed and will get a lot of wear and tear.  I would recommend sewing your piece on the inside too even if it’s not a loveseat for stability’s sake.

Here is a picture of the completed piece, close up so you can see all of the hand stitching.

Here is another close up shot that shows all of the details in the hand stitching on the arm of the loveseat.

This project has a handmade look to it.  Your stitches don’t need to be perfect.  The handmade-ness adds character and charm to the piece.

Below is the finished version of the loveseat all set up in my son’s room.   All and all this project took me about 12 hours to complete, which is longer than I wanted to spend, but good work takes time and for the price of all the materials it was a great deal.

How often can you take something that looks kinda drab and for $40-1sh reinvent it?  Not that often.  I hope you all enjoy this project!

It turned out great and as you can see it has been approved of by the little dog too.

by jen

You know that Beastie Boys song called Brass Monkey?  It’s always been one of my favorites tunes by the BBoys.  Here is the recipe for the cocktail that this song is named after:

Brass Monkey
1/2 oz rum
1/2 oz vodka
4 oz orange juice

As you may know, our fundraising effort with Kickstarter.com was unsuccesful but this has been a blessing in disguise.  So we are embarking on a new effort with the fundraising site, Indie Go-Go, which we will launch this fall.  We are very excited about this new fundraising site which allows us to keep all the money raised even if we don’t meet our funding goal.

Last but not least, we have had an addition to the DIY Lounge family. Our director, Patrick Cummings who has been extremely busy filming the upcoming season of “Axe Men” for the History Channel welcomed a new baby boy, Declan Riot.

Keep your eyes peeled for our weekly cocktail/crafting recipes, tutorials and more video content.

Don’t Deny Your DIY!

Richard

So this week I’m putting the final touches on the DIY Lounge video tutorial set.  I’m really excited to be working with Jenni Brand on this project.  She will be the camera person/co-director for this project, which I think is pretty cool.  One reason I am so excited about working with Jenni – in addition to her talent and humor – is that we will be an all female video production team!

Here is a picture of the set at this point.  There is still more to go, but we are getting there.

In case you wondered . . . this is what hope and optimism look like when painted on a wall.

by Jen